Posts

Thoughts on Social Media

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Shortly after I started painting consistently in 2015, I created a dedicated Instagram account for my art. At that time, Instagram really was instant! Content was sorted according to the time at which it was posted, and you could see, in real time, what friends were doing, creating, etc. I enjoyed this format--it felt like a fair playing field where everyone had the same chance of being seen. I felt motivated to share, join the conversation, and record the journey of my art study and development. Fast forward to now>>incremental changes over the years have led to my feeling that Instagram isn't much more than a marketing game. And with constant unannounced changes to the algorithm, it's a game in which I'm never quite sure of the rules... sounds a little bit like an unhealthy relationship dyamic? :/ This strategy, of course, exists in order to "motivate" (dare I say manipulate?) people to take out ads in an attempt to stay relevant on the platform, and see t

April News

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I'll admit I've been less than diligent in caring for this blog lately, but it's for good reason--life! Life, for me, is always full of more to do than could ever be done. Maybe I have too many interests. Or maybe I'm too interested in the interests I do have. Whatever the reason, I'm always busy and rarely bored! Anyway, I'm happy to announce a few updates here for my handful of readers ;) 1) I've recently accepted a role as the Utah Ambassador for the Portrait Society of America. It's an organization I absolutely love being a part of. I look forward to becoming more involved with the Portrait Society as I act as liaison for a state full of incredible artists. 2) Although I may have seemed a little quiet in terms of production lately, it's because I've been working on a complex, multifigure commission that won't be released for public view until 2026. So... stay tuned for that one! 3) I'm painting full time now. Side gigs disbanded, I

June

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June really snuck up on me this year—but I’ve been making the most of the beautiful late spring weather/cooler temperatures to get outside and paint. It’s always a challenge to find the time during the summer months with the kids home from school, but they’re getting old enough to manage themselves for a little while and that’s nice. This lilac study was painted very quickly—I had only been painting 30-40 minutes when the park landscapers informed me they needed to plant a tree right where I was standing :) It’s always an adventure painting outdoors!

Spring is Here!

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It was 78 degrees the other day, and I have to say, it was quite a shock to my system--I guess I just don't know how to not be cold after this eternal winter :) As far as art goes, my mantra this year has been to paint small and often, taking all the pressure off of the process and the outcomes. Sometimes I have these grand ambitions for painting, and dive into some overwhelming project head first. I'm not saying this is bad. It's not. It's an excellent thing to do, and makes returning to the simpler work so gratifying and liberating. However, it is possible to get burnt out, and I think that's what happened with me last year. I spent much too long laboring over a massive canvas that in the end, I felt less than confident about. And honestly, in my little heart of hearts, it felt like a waste of a year. Not that it was. It wasn't. It just felt that way. All this to say, I'm having fun with my painting these days. Painting when I feel like painting. Doing som

January

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January 1/17/2023 4:07:34 PM It's been a quiet couple of months here--as quiet as quiet is with a home full of pets and kids and holidays and winter illnesses and all the daily happenings of family life...   What I mean by quiet, I guess, is that my artistic output has been a bit sparse. Maybe it's the general malaise of winter days. Or the feeling of having too much or too little to say. Or the fact that I've been waxing philosophical as of late, reexamining my life up to this point (could it be I've lived almost half my days?), feeling the irresistable pull of authenticity dragging me through the mire of what's comfortable and familiar into something that's brighter and darker and startlingly, embarrassingly new.   That all sounds rather vague and cryptic, and I suppose it is. But here I am, one small sojourner on this swirling, ancient planet, engaged in the ever-human search for truth, leaving a smattering of breadcrumbs along the way.   That's the thing

Zion 2022

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It's been a busy fall. Between regular family scheduling and an extra-packed art event lineup the last couple months, it feels like I haven't had much time to breathe. I enjoy being busy, but only if that busyness is balanced with a good dose of time for quiet, solitude and creativity. Last week's painting retreat in Zion was just what I needed to refresh my outlook and recharge my batteries. It was inredible to be surrounded by accomplished and interesting artists from around the world, while painting the breathtaking scenery of Zion National Park.  Each night we cooked a big family style meal and talked over dinner. A couple of times, even though the night air was chilly, I braved the pool and swam under a canopy of stars! One of my favorite memories from the trip was waking up before dawn to hike to a lookout point and watch the sun rise. I love hiking, and the majesty of those moments is something I will never forget. It took me 7 hours to drive home in a snowstorm (ins

Portrait start

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3 hour portrait start. Somehow I have her looking younger than she should. I moved the eyes down based on my teacher's critique. There was a space issue, but I'm thinking maybe I should have moved the eyebrows/forehead up instead? I think whatever I did gives her a very youthful look (she's not 13 ;).